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Catherine Heard
  • Work
    • Current Work
      • In Landscape
      • My Body. My Place
      • Synthetic Landscape
      • Roadside Assemblages
  • About
    • About
    • Contact
  • Archive
    • 2023-2026
      • Human Circus
      • Fragile Bodies
      • Thinking Through Painting
      • Embodied Fairytales
      • Liminal Folk
      • Becoming Other
      • Sculpture in Nature
      • Hedge
      • Tree Larking
      • Masking
      • Installation
      • Hedgebank
      • Sculpture
      • Time and Decay
      • Washed Up
    • 2022-2023
      • Playscape
      • Weather
      • Through a child's lens
      • 3D Painting
      • Biblical
      • Photography
        • Somerset
        • Away
  • Work
    • Current Work
      • In Landscape
      • My Body. My Place
      • Synthetic Landscape
      • Roadside Assemblages
  • About
    • About
    • Contact
  • Archive
    • 2023-2026
      • Human Circus
      • Fragile Bodies
      • Thinking Through Painting
      • Embodied Fairytales
      • Liminal Folk
      • Becoming Other
      • Sculpture in Nature
      • Hedge
      • Tree Larking
      • Masking
      • Installation
      • Hedgebank
      • Sculpture
      • Time and Decay
      • Washed Up
    • 2022-2023
      • Playscape
      • Weather
      • Through a child's lens
      • 3D Painting
      • Biblical
      • Photography
        • Somerset
        • Away

My Body.  My Place

I sometimes respond to my habitat with my body -  forming direct contact with the natural environment - this feels like a precursor to a painting - a 'getting to know you', before I put brush to paper.  Working on a farm with rewilding at its core, I respond to what I find rather than staging elaborate interventions.  These gestures are often minimal: pressing, holding, balancing and mimicking.  There is a tension in the work between control and surrender, intention and accident. Moments of play, awkwardness and sometimes humour sit alongside a more focused, bodily awareness.  I’m not trying to represent the landscape, but to enter into it briefly, to test how my body can sit within it, resist it, or become entangled with it.  This work, is a continuation of performative work - carrying on from Hedgebank summer 2025.   
catherine heard, contemporary artist and performance, somerset
Catherine Heard, Green Mossing, interaction with nature and moss in the hedgerows of West Somerset, Exmoor, contemporary art
Green Mossing, May 2026
Catherine Heard, art performance in trees, somerset
Becoming Canopy,  April 2026
Catherine Heard, contemporary photography, artist, somerset uk
Double Me, Humbled by You,  April 2026
Catherine Heard, artist, in the grass, contemporary performative photography, contemporary interdisciplinary artist based in somerset uk
Grassed,  May 2026
Catherine Heard, performance art in woodland, somerset
Birthing,  in a woodland near Wellington, Somerset April 2026
Catherine Heard, Performance art, in woodland
Ferning, Exmoor, April 2026
Catherine Heard, Peformance art in Wood, Somerset
Moss Push, April 2026
Catherine Heard, Conceptual Landscape Photograph, Art Performance with fingers in groove of tree
Hole 1, April 2026
Picture
Hole 2, ​Hello, this is your Mother.  Are you coming home?  Talking to Laurie Anderson  Performance still, April 2026
Picture
Legs, ​April 20026
Catherine Heard, Performance Art, Somerset UK
Gash Bag,  (military parlance) April 2026
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