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Catherine Heard
  • Work
    • Current Work
      • In Landscape
      • Synthetic Landscape
      • Roadside Assemblages
      • My Body. My Place
  • About
    • About
    • Contact
  • Archive
    • 2023-2026
      • Human Circus
      • Fragile Bodies
      • Thinking Through Painting
      • Embodied Fairytales
      • Liminal Folk
      • Becoming Other
      • Sculpture in Nature
      • Hedge
      • Tree Larking
      • Masking
      • Installation
      • Hedgebank
      • Sculpture
      • Time and Decay
      • Washed Up
    • 2022-2023
      • Playscape
      • Weather
      • Through a child's lens
      • 3D Painting
      • Biblical
      • Photography
        • Somerset
        • Away
  • Work
    • Current Work
      • In Landscape
      • Synthetic Landscape
      • Roadside Assemblages
      • My Body. My Place
  • About
    • About
    • Contact
  • Archive
    • 2023-2026
      • Human Circus
      • Fragile Bodies
      • Thinking Through Painting
      • Embodied Fairytales
      • Liminal Folk
      • Becoming Other
      • Sculpture in Nature
      • Hedge
      • Tree Larking
      • Masking
      • Installation
      • Hedgebank
      • Sculpture
      • Time and Decay
      • Washed Up
    • 2022-2023
      • Playscape
      • Weather
      • Through a child's lens
      • 3D Painting
      • Biblical
      • Photography
        • Somerset
        • Away

Liminal Folk

Liminal Folk gathers a cast of threshold figures who drift between self and other, human and myth, present and past.  Through handmade masks and rural settings, I step into these characters as a way of revealing and obscuring, using disguise not to conceal identity entirely but to loosen it.  These figures draw from the language of the fairy tales and folklore I read as a child, where unease and quiet magic are embedded in the landscape itself. 

​Staged in my home, the fields surrounding it and in the woods on the edge of Exmoor National Park (and sometimes directed by weather), they hold a tension between playfulness and disquiet, offering moments of recognition alongside something more ambiguous.   The characters exist in that in-between space where the familiar slips, and where the act of becoming is a way to disappear and re appear differently.  
Catherine Heard, Bottom Donkey mask, Performance Art, Somerset
Bottom,  May 2026​
Catherine Heard, Owl Woman, masked art performance, Somerset UK
La Lechuza, performance still,  January 2026
Catherine Heard is Truly Scrumptious
Truly Scrumptious at the After Party, performance, Hatch, East Quay, Watchet, April 2026
Catherine Heard, Alter Ego, wearing paper mache mask with Pinocchio nose, in the woods.
You Exhibitionist,  papier mache and digitised painting, April 2026
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